Jan. 3rd, 2023

amado1: (Default)
By Caroline Nixon:

There are trends and fashions in STAR TREK fanlit, just as much as in other literary fields, and interest today seems to be focusing on the sexual aspect of the Kirk/Spock relationship.

As with most fan stories, the writer of these homosexual love-idylls are women, and I wonder if these ladies realize the full implications of their postulations.

Perhaps we should look into the underlying causes of such a relationship. It is clear to anyone who is well-acquainted with STAR TREK and the Kirk and Spock characters that there is nothing in their physical or psychological makeup that pre-disposes either to seek out a partner of their own sex. There is a little of both sexes in everyone's nature, of course, but both the Captain and his First Officer are unquestionably male-dominant. Kirk reacts immediately and enthusiastically to a pretty female. If Spock reacts with something approaching panic, to any woman who shows interest in him, this loss of equanimity hardly indicates indifference -- to say nothing of the fact that he has gone through pon farr, like any standard Vulcan male.

This point is reflected in the stories, for there is no agreement on which partner takes which role. Opinion is approximately equally divided, one third favoring Kirk for the female role, another third giving Spock that function and the rest letting them take turns.

So why should these two very masculine men fall into bed together? It's obvious that the reasons go beyond the sexual. The bond between them is mental, spiritual and intellectual, not physical. Each represents to the other something infinitely valuable and presumably the wish for closeness to the dear being eventually extends to the desire for bodily union.

So far, so good. But what does all this imply? The answer will become clearer if we take an analogy from the many Terran cultures where men form strong pair-bonds -- the blood-brother relationship, as it is often called. This bond doesn't always include sex relations, but where it does, it's for a certain reason. It happens not because they find the female body distasteful, as true homosexuals do, for psychological or hormonal reasons, but because they can form no lasting mental bond with women, since they are ignorant, trivial and often even dangerous, and the men despise them. (We won't go into whose fault that is!) I'm referring to cultures such as the Spartan civilization, etc., where two warrior-men became lovers, of course, not to decadent cultures where effeminate boys were made use of.

When this analogy is applied to the STAR TREK universe, then, the conclusion is this: Kirk and Spock go to bed together because the sort of women who could give them what they need do not exist. Of course, the solution is very neat -- Kirk and Spock both have the same needs, even though they do show diametrically opposite symptoms; they are very lonely men, and need a companion to share their lives -- a "soul-mate", to use a somewhat hackneyed term. And so they turn to each other.

But this is the easy way out -- a cop-out, ladies, nothing else. A close and sometimes intense relationship with a member of one's own sex is a normal, healthy part of life, one of the important ties one sentient entity will form with another. But it is only one of them. And if the Kirk/Spock relationship blurs into a mate/partner bond, it is purely because the women do not exist who are intelligent enough to understand their needs and subtle enough to be able to fulfill them in a way they can accept (this last is especially important in Spock's case, because of his psychological and cultural inhibitions). This would be a depressing enough thought in real life. In fiction it is even more so -- it means that it is impossible even to conceive of such women. But perhaps it's only to be expected when so many female writers, especially sf authors, feel the need to write almost exclusively about men, because they find their own sex so uninteresting.

The classic "starship officers' wives' lot is not a happy one" argument is just not valid. If children are involved, then sea-faring men's wives have watched and waited throughout history and found it worth their while. And the solution is even simpler if the production of children is delayed -- if a homosexual relationship between crewmembers is not detrimental to ship's discipline then what possible objection could there be to having a wife along, especially if she is a crewmember, too?

So, ladies, gird up your loins (if you know where they are). The time has come for a new confidence in our capabilities. Our sex makes up half the human race, and probably half of all the humanoid races in the galaxy. If the males can produce two such wonderful characters as Kirk and Spock, can't we provide female characters who will be a match for them? I challenge you all -- the honor of our sex is at stake. Act now -- or resign yourselves to being called "the weaker sex" for all eternity -- and deserving it!

amado1: (Default)
WHAT IS IT?

Tom King's Rorschach is set in the Watchmen universe, in the run-up to the 2020 election. A stand-alone graphic novel, it follows an unnamed detective as he investigates an assassination attempt on conservative presidential candidate Turley. The would-be assassins (killed on Page 1 by Turley's bodyguards) are a teenager named Laura and an unknown 80-year-old man in a Rorschach costume. The man dressed as Rorschach happens to share fingerprints with Walter Kovacs. So who is he, and how did he meet this kid Laura, and why did they decide to assassinate a presidential candidate?

THEMES:

Loneliness, political turmoil, radicalization! How it happens, and who it happens to!

POSITIVES:

First, I loved the art. The style is as close to Dave Gibbons as you can get. The coloring is old-fashioned, lots of earthy tones, not that crisp hyper-realistic splash you see in (for example) Batman comics these days. There's some excellent paneling where the detective interviews three witnesses on the same subject. All three tell their story at once, with panels that mirror each other, and color-coding that lets you know who's speaking, and when. Similar color-coding and mirrored panels are scattered throughout the story, allowing the narrative to switch between flashbacks and present-day ... and sometimes allowing ghosts to cross over from one timeline to the next.

Next, the worldbuilding. "Watchmen" itself is close enough to "our world" that you could get away with a normal real-world 2020 in this. But what we see is more fun. Fashion, hairstyles, technology, politics, spiritualism, comics as an industry, and the makeup of the United States have all been altered by the events of the first book. The 1986 New York massacre has worked as a sort of early 9/11 (and in this story of course, 9/11 didn't happen), with unique effects fitting to the timeline. The threat of a second squid invasion hangs over everyone's heads, and we get to see how it impacts everyone -- from presidential candidates to back-country working class folks like Laura and her father.

Characters: Laura and the new Rorschach (Wil Myerson) are fantastic. Sad, lonely, fun, fucked up, weird as hell, deeply human, always treated with dignity. This same dignity extends to Laura's father, a militia man who's convinced squids are taking over people's brains. Laura's father only appears in one issue, so there's not a whole lot of room for humanizing him and adding depth, but a lot of sympathy leaks through. Same with the strongman Laura cons into becoming Rorschach for a while.

Story: Tight and riveting. Each issue contributes to the overarching storyline heavily, while also maintaining a beginning-middle-end structure of its own, so you don't feel like you're reading filler OR wasting time to meet a wordcount. And at the same time, each issue brings a new enjoyable element of its own, with new characters, new twists, new layers to peel back on the mystery of Laura and Wil Myerson.

NEGATIVES:

I would have to read it again to come up with any. One theme woven throughout the story is pirates (this universe's version of comic book superheroes, culturally) -- the escapism of comics, the way these comics speak to people (shallowly? meaningfully? both? is one type actually more valuable than the other), and the relevant benefits of dark comics vs. light comics. I need to reread the book to figure out if I like how this was handled! But here's the thing: it was either absolutely brilliant ... or it fell a little flat, a little clumsy. That's all.

NOTES:

1) I avoided these comics as they were coming out because I wasn't interested in a Rorschach story that wasn't about Rorschach. I mean, Walter Kovacs! That's my guy, I want to read about him. But now that it's out in trade, I took another look and realized it's by Tom King. King wrote one of my favorite graphic novels, Vision. So I had to give it a try, and I'm extremely glad I did.

2) I haven't reread Watchmen in full since I was probably 21 or 22. I read the Comedian, Rorschach, and Nite Owl segments of "Before Watchmen" (and have even reread the Comedian one a couple of times). I haven't read Doomsday Clock or watched the new Watchmen TV show. I suspect there were some references to Doomsday Clock in this book, but I understood it just fine on its own. I did see one review that claimed you can read "Rorschach" without reading "Watchmen" and I strongly disagree. I mean. I can't even imagine what a mess it would be without that context, holy shit.

3) The worldbuilding is better than anything you're used to from DC, and weaker than anything you're used to in a decent sci-fi novel, so just be warned that the above endorsement of worldbuilding is contextual 😆

4) If you're new here and wondering "Can I trust this guy's taste?" be warned that I loved "The Terror" by Dan Simmons. Yes even the Platypus Pond scene. Shut up. YOUR taste is bad. I happen to think the platypus was hot.

4) This book was hella moving and I feel like when I reread it, all kinds of missed intricacies are gonna punch me in the gut lmao

Profile

amado1: (Default)
amado1

May 2025

S M T W T F S
    123
45678910
11121314 151617
18192021222324
25262728293031

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 29th, 2025 11:32 pm
Powered by Dreamwidth Studios